top of page

Film & TV

<p class="font_8">Courtney Taylor is stepping into the spotlight with power, poise, and purpose. With an undeniable spark, Courtney has become a standout voice in a new era of story telling. Courtney brings range to each role she plays with a grounded perspective, which fans are embracing with open arms. Courtney opens up about what’s involved in roles she’s taken on, from characters with trauma to high stakes rolls both mentally and emotionally. Beyond the screen Courtney has embarked on a journey of person growth including learning how to speak to herself with kindness and the simple joys that keep her centred. Courtney offers a glimpse into the heart of an actor who’s not only reshaping stories but reshaping her own narrative.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice: </strong>Congratulations on your new series<em> “Ballard”. </em>Were you familiar with the <em>Michael Connelley</em> novel series?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Courtney:</strong> Not fully, actually. The first time I was unknowingly introduced to Michael Connelly was <em>The Lincoln Lawyer </em>with <em>Matthew McConaughey.</em> It wasn't until I saw the reimagined series and then fell in love with the <em>Bosch</em> franchise that I recognized how substantial his work was. When I got the audition, I started on the <em>Ballard</em> and<em> Bosch</em> book series so I could get to know this world, and I'm so hyped that I did. The series is incredibly well done. The story telling is so captivating! I'm eager to catch up on his latest release.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong> In what ways did you prepare yourself to play this role?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>C</strong>: I watched <em>Bosch</em> like it was my job. It helped me get the visual representation of the book series, one that I knew had the stamp of approval from Michael himself. It was the best resource I had.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A: </strong>What was it like working alongside Maggie Q on a spin off from such a popular and well-loved series?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>C:</strong> It was a dream. I think it would have always felt daunting to take on the beloved fan base, create a spin-off, and also an entirely new side of this world. But with Maggie at the helm, I knew we were in good hands. What a rockstar. She was the perfect leader. She made the set feel so communal, all we ever did during our downtime was laugh, workout, and enjoy conversation. With such a heavy subject matter, those moments felt like a much-needed reprieve. I have to thank Maggie for that.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A: </strong>Were there any personal experiences that helped you to understand and play this character?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>C:</strong> I'd say that I am just as passionate about my work as an actor as Parker is with her job. Some would even say stubbornly passionate, just like Parker. I can get bull-headed about a choice or heated about an opportunity not going my way. So being able to use that passion for Samira, a person who wants nothing more than to get it right, felt so good. Almost cathartic!</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong> This book series is popular, and with it being made into a series, did you feel any pressure or expectations from fans on the character you are embodying?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>C: </strong>Of course! To be fair, I feel pressure every time I perform, but this one in particular! Shaking in my boots! If I've learned anything from creating content with a built-in, loyal book fanbase, it’s that those people mean business.  But after getting the seal of approval from not only Titus Welliver, but Michael himself, I knew we had something good on our hands. I'm so thrilled it's being received so well.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong> How do you unwind from long days on set and step back from the emotions you feel when embodying the character?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>C:</strong> I usually throw on one of my cartoon favourites. I'll bounce between <em>Steven Universe</em>, <em>Bob's Burgers</em>, and <em>Rick and Morty</em>. That usually do the trick.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong> There are themes and exploration of trauma in the series. Do you find it hard to act in those scenes and then leaving those emotions with the character?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>C:</strong> I do find it difficult. This was one of my first times accessing trauma in this way, and I had no idea how it would affect me on the day. When I filmed my scenes, the anger that came to the surface was hard to wind down. But luckily, with the help of the cast and crew, they gave me the space I needed to come down from those emotions.</p>
<p class="font_8"><br></p>
<p class="font_8">@theo.official @chic.noise @antoninias @noritamy @madebymary @adiba.official @thepop.group @michelemariepr @maisonpriveepr_la</p>
<p class="font_8"><br></p>

Courtney Taylor

<p class="font_8">“Good morning!” I greet Pierson Fodé, “I didn’t wake you up too early?” I ask as we jump on a call the day before his HATC Magazine cover shoot. He’s on the West Coast, navigating late nights and early wake-up calls, having travelled through copious time zones in the midst of his busy schedule and press engagements for his latest roles in The Wrong Paris and Swiped. As someone who feels like they’ve been hit by a truck any time jet lag is involved, I’m impressed by how bright he seems. For Pierson, traveling west to east is what gets him, making it a little smoother to come back from his Paris engagements than to go. Over the past month, Pierson tells me he’s taken six to eight red-eye flights back and forth, all while juggling shooting another project. Hitting that wall is inevitable, though Pierson tells me in some ways he’s used to the lack of sleep, having suffered with chronic insomnia. For Pierson, getting back to a normal form of sleep is all about getting back into a routine. As a professed homebody, it’s all about hanging out with friends and watching movies, admitting he’s never been much of a partygoer. It’s the season for embracing those Autumnal winter evenings. It’s been a whirlwind of a time recently with charting show after charting show finding its place on streaming giants worldwide, but I’m keen to talk about his childhood growing up on a family-run farm in Moses Lake, Washington, and its role in building his identity. Coming from a long lineage of farmers, he tells me that farming is hard work and never easy. “Hard work is not an option; it’s built into my DNA.” Starting the day in the early mornings before the sun comes up, and continuing on long into the night, Peirson found himself learning all kinds of skills. “Every single day, you're fixing whatever needs it from the night before. You're mending fences, and you're helping the animals after they escape into the neighbour's yard.”. Im curious to what it's taught him over his formative years. “I think for me it taught me true resilience and grit. I saw what my parents went through every day. You have no control over the weather or whether the seed decides to grow, so you do your best to provide it with the perfect environment for this little bit of life that goes out to feed the world. But at the end of the day, you can't control how often the sun shows up in front of the clouds.”</p>
<p class="font_8"><br></p>
<p class="font_8">It's elements like resilience that Pierson carried forward into his life as an Actor in Hollywood. “All those elements - resilience and that grit really shaped who I am. You can't pull that out of me.” It seems you can take the farmer off the farm, but you can't take the farm out of the farmer. “Anytime things get crazy in Hollywood, anytime you're at the party or event and things get a little bit exciting, that resilience and that grit always stay there, no matter how hard it gets, no matter how easy it is. It keeps me the same person, no matter what's going on in life. It's the hard reset button to my soul. I'm just always connected to that.”</p>
<p class="font_8"><br></p>
<p class="font_8">When it comes to our identities and how they inevitably change, there’s no surprise of the overlap and comparisons from that boy on the farm and his childhood love of film, specifically the classics of Star Wars, Charlie Chaplin, and The Three Stooges. Those stories and their exploration of characters —flawed, heroic, messy, and comedic — have had a lasting impact on the identity he’s come to know as an actor. “Film and TV are my second language in so many ways,” he explains. “Growing up, it was my way of exploring life and the world beyond the farm. Those films created the moment that I realized there was so much life beyond the farm. The same way Luke was going off to save the galaxy, I was like, Oh, maybe I can go learn about the force or make movies. One of the two has got to be real.” For Pierson, it was a way of connecting with the world beyond his own immediate world. “It’s this incredible way to touch people's lives. For 90 minutes, we all jump into a theater, or sit on the couch, and it doesn't matter what race, religion, or political identity you have, it really brings us all to the same point where we laugh at the same jokes or we have tears welling up at the same moments.”</p>

Pierson Fodé

<p class="font_8">Fresh out of drama school, Ernest Kingsley Jr. hasn’t so much stepped into acting as leapt headfirst, with a mix of curiosity and fearlessness that’s rare to watch. He’s gone from the dreamlike world of “The Sandman” to the raw tension of “War of the Worlds”, and now, he’s about to take on “Washington Black”, playing Wash, a boy whose escape from a Barbados plantation sparks an adventure bigger than survival.</p>
<p class="font_8"><br></p>
<p class="font_8">Chosen personally by Sterling K. Brown, Ernest carries this role with a kind of open-hearted intensity — the feeling of someone who still pinches himself every day, grateful to be telling stories that matter.</p>
<p class="font_8"><br></p>
<p class="font_8">A: With Washington Black being a layered and powerful story; what was it that initially drew you to the role, and how did it feel undertaking the role of such a transformative character?</p>
<p class="font_8"><br></p>
<p class="font_8">E: So many things drew me to the role. It was a no brainer decision! I think what solidified it was the adventure, the heart, the ingrained love in the writing. It’s the story of a beautiful young man, who maintains the power to dream up a world greater than the troubling one he finds himself in.</p>
<p class="font_8"><br></p>
<p class="font_8">I definitely had some imposter syndrome when I first got the role. I doubted if I could bring justice to the character, which I think is common amongst a few actors, but it turned out to be such a generous process and adventure.&nbsp;</p>
<p class="font_8">Washington Black has shown me so much of who I am, and who I can be!</p>
<p class="font_8"><br></p>
<p class="font_8">A: With the book being so popular were there any pressures you felt in doing it justice for fans?</p>
<p class="font_8"><br></p>
<p class="font_8">E: From quite early on, I tried to make the separation between the book and the screenplay. The book is incredible, and Esi (Author) has done something magical. Selwyn (Showrunner) used the book as a springboard into something more. I trust in his vision so, that pressure from fans never really affected me as much.</p>
<p class="font_8"><br></p>
<p class="font_8">A: Freedom and identity are crucial themes throughout the series, how do these themes resonate with personally, as the one responsible from bringing the story to life?</p>
<p class="font_8"><br></p>
<p class="font_8">E: For me, identity brings freedom. Knowing who you are, what you stand for, where you’re coming from. This is why playing Wash was such a gift. Here, you have someone who has been poured into by so many people, with love. He holds on to those people, to that love, and it informs how he lives his life, how he dreams, and how he flies.</p>
<p class="font_8"><br></p>
<p class="font_8">I try to hold on to my loved ones, my family, my friends. They remind me of who I am, and they give me freedom, in that sense.</p>
<p class="font_8"><br></p>
<p class="font_8">A: Having to portray a character who navigates trauma, displacement and resilience… alongside continents is a challenging task, how is it you mentally and emotionally prepare?</p>
<p class="font_8"><br></p>
<p class="font_8">E: Imagination is a powerful tool. World-building is a very important component in my preparation. Just doing loads of research and finding different entry points into the characters inner landscape. That’s how I get to those emotional places.</p>
<p class="font_8"><br></p>
<p class="font_8">@deflorenciofashion @pasunemarque @etclosangeles</p>

Ernest Kingsley Jr.

<p class="font_8">Harry Trevaldwyn is a quietly rising force in film and television, with an impressive résumé spanning from <em>The Bubble </em>on Netflix to <em>My Lady Jane</em>. But his latest role might just be his most fun yet: Tuffnut in the live-action remake of <em>How to Train Your Dragon</em>.</p>
<p class="font_8"><br></p>
<p class="font_8">With a growing list of standout projects, Trevaldwyn reflected on how this particular one stood out, “I got so excited meeting Dean, the director and especially when I met Gabe and Bronwyn in those chemistry reads, I was like, oh gosh. Now I really, really want it.”</p>
<p class="font_8"><br></p>
<p class="font_8">Tuffnut is one of the franchise’s many beloved characters, part of a cult fandom that grew up with the original animated films and are now returning as adults — some with their own children in tow.</p>
<p class="font_8"><br></p>
<p class="font_8">“I think the emotional bit comes when you leave a character, especially if you don’t know if you’re going to be playing them again. You’ve put all this time in, and then you’re like, ‘Oh no. I’m done with this person now. That’s so sad.’”</p>
<p class="font_8"><br></p>
<p class="font_8">Through the announcement of the live remake sparked scepticism, Trevaldwyn approached the project with confidence.</p>
<p class="font_8"><br></p>
<p class="font_8">“It’s an overwhelming task,” he admits. “But I felt like it was made with such love and honouring the original, while also bringing something fresh life to it. You can love the original and love the remake. No one’s making you pick between the two.”</p>
<p class="font_8"><br></p>
<p class="font_8">With multiple projects in both his rearview and future, including the upcoming film adaptation of the viral romance novel <em>My Oxford Year, </em>Trevaldwyn shares how jumping between sets has shaped his perspective.</p>
<p class="font_8">“I think what I‘ve mostly learned is surrendering and trusting in collaboration. From an acting perspective, it’s quite rare to keep meeting new friends as you go. I think that’s a really lovely thing.”</p>
<p class="font_8"><br></p>
<p class="font_8">He adds that although the <em>How to Train Your Dragon</em> cast had filmed entirely on location, they bonded quickly. “Bizarrely, I hadn’t met any of them before, but somehow we all kind of knew each other from different things. So, it felt like doing a summer camp.”</p>

Harry Trevaldwyn

<p class="font_8">Motivated by a desire to meet new people and learn from the stories of those around her, Bobbi Althoff has entered the chat and at a time where her podcast series, <em>The Really Good podcast,</em> is soaring into the public eye. However, there’s more to it than meets the eye, as Bobbi shares with us her experiences balancing a busy schedule with motherhood and finding space to maintain some form of privacy.</p>
<p class="font_8"><br></p>
<p class="font_8">With the pressures of social media and the opinions that come with it, Bobbi opens up about the importance of community and mental health, with therapy playing a big role. When it comes to the impact of trolling, Bobbi wants to set the record straight regarding people's perceptions of her.</p>
<p class="font_8"><br></p>
<p class="font_8">"I'm very interested in other people's lives,” Bobbi explains. “I think I've learned a lot from my dad. When he talks to people, it's very much about them, rather than himself.”</p>
<p class="font_8"><br></p>
<p class="font_8">"I want to get to know the person," Bobbi tells me, “I think when I'm having conversations with people, it's easy for them to start talking because I just ask questions. I ask a lot of questions, and I don't shy away from questions that I don't necessarily know the answer to.”</p>
<p class="font_8"><br></p>
<p class="font_8">Bobbi isn’t afraid to be candid, whether it’s with her guests or with me during our interview. Her interviewing style is unapologetically her: witty, inquisitive, with a pinch of awkward.</p>
<p class="font_8"><br></p>
<p class="font_8">Behind the scenes, Bobbi balances a busy career with being a full-time mum, where her kids take priority. There’s no break in between, as she cuddles and nurses her youngest on the other end of the phone- an honest reality that her work is never done, on or off the camera.</p>
<p class="font_8"><br></p>
<p class="font_8">Just like many other mums, she’s had to carve out moments and interactions that weren’t just about motherhood. Still, aside from those moments, motherhood remains central for her. She confessing they are the best moments of her life, stress and all.</p>
<p class="font_8"><br></p>
<p class="font_8">"Before I had kids, I already had so much anxiety about my future. Who am I going to be? What will I do? Will I get married?”</p>
<p class="font_8"><br></p>
<p class="font_8">Bobbi tells me she would stay up at night thinking about it- a whole other level of anxiety.</p>
<p class="font_8"><br></p>
<p class="font_8">“I have to be successful because I have two kids who depend on me. Still to this day, I lie awake at night, stressing out about what I am going to do next. How do I make this something that provides for my kids forever, and not just for right now? They are the most important people to me?”</p>
<p class="font_8"><br></p>
<p class="font_8">Her honesty about the anxiety of being a parent is something I know many others bear the weight of. But Bobbi isn’t one to shy away from the topic, speaking openly about her journey to motherhood.</p>
<p class="font_8"><br></p>
<p class="font_8">"In a way, I rushed into everything. I wanted it so badly because, as a child, all I had ever wanted in life was to get married, have kids, and be a housewife. I achieved all of that. I was so young. I was 22 when I had my first daughter, and at the time, I felt so grown up. I look at 22-year-olds now, and I'm like, Oh my God, you're a baby. And to think I thought I was so grown.”</p>
<p class="font_8"><br></p>
<p class="font_8">Following the birth of her second child at 24, Bobbi found herself going through a divorce. Dusting herself down and picking herself up, she tells me about the uncertainty she faced at the time- this time knowing she had her kids to live for.</p>
<p class="font_8"><br></p>
<p class="font_8">Having seen her career skyrocket on TikTok, with millions getting to know her, I’m curious about how she navigates people's perceptions. I ask what the internet doesn’t see behind closed doors.</p>
<p class="font_8"><br></p>
<p class="font_8">"I think that people, in general, in my comment sections and across the internet, have this idea that I have no relationship with my kids. I know that's the number one thing people are quick to comment: ‘She left her children for fame’”.</p>
<p class="font_8"><br></p>
<p class="font_8">She confides that it can be hard not to let people get into your head, as it’s the criticism she hears most often.</p>

Bobbi Althoff

<p class="font_8">Known for her standout role as Gaal Dornick in the epic sci-fi series <em>Foundation,</em> Lou Llobell’s creative journey as a self-confessed instinctive actor is all about diving headfirst into the evolution of her character. From intense acting preparation to exploring Gaal's emotional and intellectual growth across the series, Lou continues to find joy in returning to the role.</p>
<p class="font_8"><br></p>
<p class="font_8">In conversation, she opens up about the shifting narrative perspectives, the personal connection she feels to her work, and how the physicality of stunt training, fan interactions, and the challenges of the industry all shape her as one of today’s most exciting rising stars.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong></p>
<p class="font_8"><strong>I want to start with </strong><em><strong>Foundation. </strong></em><strong>The response looks like it’s been amazing and it’s such an incredible series. I guess the best place to begin is with Gaal. Was it daunting getting to know such a major character through the scripts beforehand?</strong></p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Lou Llobell:</strong></p>
<p class="font_8">Funny enough. I didn't read all the scripts before. I think I did my first audition for these six years ago now. So here we are, season three. It's exciting to see how she's grown from being kind of a deer in headlights, so innocent and new to everything, to&nbsp;now&nbsp;taking control.</p>
<p class="font_8"><br></p>
<p class="font_8">It's exciting for me, because I feel like I've just hit my stride with this character. I've been lucky to have had two seasons to unravel who she is and dig deep. So, coming back this season, I felt excited to see her in a different light.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong></p>
<p class="font_8"><strong>How has she evolved? Have you enjoyed watching that evolution?</strong></p>
<p class="font_8"><br></p>
<p class="font_8"><strong>LL:</strong></p>
<p class="font_8">It feels very much in parallel with who I am, and who I’ve become as an actor. I started out wide-eyed and a little naive, stepping into this whirlwind industry.</p>
<p class="font_8"><br></p>
<p class="font_8">Gaal is caught up in everything happening with Hari Seldon and psychohistory, and it’s been interesting to explore how she navigates all of that, while I’m also navigating my growth.</p>
<p class="font_8"><br></p>
<p class="font_8">This season, she really becomes a woman. She is honing her talents and abilities, and she's making sacrifices for the greater good. That's fun to play – she's a heroine, but one who’s making heartbreaking choices.</p>
<p class="font_8">It's interesting because when we think about our own identities and how long they take to form, it’s similar with characters. There are bits you love, there are pitfalls, and it takes time to really know them.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong></p>
<p class="font_8"><strong>When you read a script, do you get a sense of who a character is straight away, or is it more when you're on set and in the headspace?</strong></p>
<p class="font_8"><br></p>
<p class="font_8"><strong>LL:</strong></p>
<p class="font_8">I think I'm more of an instinctive actor. I prepare and I read the scripts, do my research. But once you're there, and you’ve done more scenes, it starts to flow more easily.</p>
<p class="font_8">You come in prepared, but things shift on the day depending on what everyone else is doing.</p>
<p class="font_8">For Gaal, especially, it’s been a shift. In seasons one and two, she’s quite isolated. In season two, she starts interacting more with Harry and Salvo, and now in season three,&nbsp;she's in a group scene, which is a change. It's interesting watching her navigate that.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong></p>
<p class="font_8"><strong>It’s always interesting to see how characters age and evolve on screen — especially in shows like this, where viewers grow attached to who they were early on.</strong></p>
<p class="font_8"><br></p>
<p class="font_8"><strong>LL:</strong></p>
<p class="font_8">Totally. I feel&nbsp;lucky to have become so connected to Gaal. I was watching some of season one and two last night. I haven't watched it in years.</p>
<p class="font_8"><br></p>
<p class="font_8">Now, having done season three, I can really see the difference. I look like such a child. It’s wild. I even made a conscious choice this season to lower my voice, just slightly deeper than the higher pitch I used before. Even that tiny change makes a huge difference.</p>
<p class="font_8"><br></p>
<p class="font_8">I don't know if anyone else notices those things, but I think it works. She feels more mature now, more in control. She knows where she's going, what she wants, and nothing's going to stop her. I think that's inspiring.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong></p>
<p class="font_8"><strong>Do you feel like you and Gaal anything in common?</strong></p>
<p class="font_8"><br></p>
<p class="font_8"><strong>LL:</strong></p>
<p class="font_8">We’re quite different. She's a more contained, whereas I’m probably looser in energy.</p>
<p class="font_8">But she’s grown so much in her communication and confidence, especially coming from a repressed water planet where people don’t leave. She’s one of the first to step outside that world.</p>
<p class="font_8">There’s a part of me in her, especially in the way she adapts.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong></p>
<p class="font_8"><strong>Do you enjoy watching yourself back?</strong></p>
<p class="font_8"><br></p>
<p class="font_8"><strong>LL:</strong></p>
<p class="font_8">I have a process with it. I usually watch something four times. The first three times, I'm critiquing everything: Why did I do that? But the fourth time, I see it as a piece of art.</p>
<p class="font_8">The most exciting thing is watching everyone else's storyline. I know the script so well, but seeing how everyone brings their characters to life, that’s the joy. When there’s that one scene you weren’t sure about, and you see how it <em>works</em>, it’s such a satisfying feeling.</p>

Lou Llobell

<p class="font_8">It’s a sweltering day in London, and Will Merrick is doing what many of us are - hiding in a blacked-out room, trying to keep the heat at bay. “Our houses are designed to keep heat in,” he laughs. “Everyone I know not from the UK is like, ‘Why is your flat so hot?’” Despite the oppressive weather, Merrick is in good spirits, chatting from his writing den, where he and his writing partner are wrestling with a new script. “Your brain’s probably like, ‘No, I’m not going to work. Thanks,’” he jokes, capturing the collective mood of a city wilting under the sun.</p>
<p class="font_8"><br></p>
<p class="font_8">Merrick’s journey from his breakout role in <em>Skins</em> to the high-octane world of Formula 1 – his journey has been anything but ordinary. “The only way I could describe it is that it felt a bit like going from a dodgy teenage house party to the Monaco Grand Prix.”</p>
<p class="font_8"><br></p>
<p class="font_8">“I was 17 when I started <em>Skins</em>,” he recalls. “It’s a big jump. Most of your friends are at college, and you’re stepping into this industry.” That early leap into the limelight taught him the perils of overthinking - a habit he admits intensified in his twenties. “I’d do a whole series and realize I’d worried my way through it,” he says. “Eventually, I learned to just do the work, have fun, and let it go.”</p>
<p class="font_8"><br></p>
<p class="font_8">Discussing his latest film project <em>F1</em>, Merrick’s excitement is palpable. The production followed real F1 races across Europe, from Monza to Budapest, with only a week spent in the studio.&nbsp;And as surprising as that may sound in a world saturated with CGI-heavy films, it’s refreshing—something to genuinely look forward to as a cinephile.</p>
<p class="font_8"><br></p>
<p class="font_8">“We had the best seats in the house,” he grins. “Shooting on race day, in the middle of the action - Brad [Pitt] even did a formation lap during a real race. I’m still waiting for my invite to do that, but I’m guessing they want someone who can drive without stalling.”</p>
<p class="font_8"><br></p>
<p class="font_8">The film’s authenticity was bolstered by the presence of F1 insiders like Bernie Collins, a former strategist turned presenter who schooled Merrick on the art of pit wall banter.</p>
<p class="font_8"><br></p>
<p class="font_8">“She was our go-to for everything,” he explains. “We’d go through every race with her, learning the terminology, the strategy, and the art of those clinical, rapid-fire pit wall communications. It’s like Morse code, but with more shouting and fewer dots and dashes,” he laughs. “They deliver info in tiny bursts that can make or break a race. It’s basically the world’s most intense game of telephone.”</p>
<p class="font_8"><br></p>
<p class="font_8">For Merrick, the draw of a script always comes down to character. “If I get excited by the idea of what I’d do with a character, that’s what matters most. Everything else - an exciting filmmaker, a strong script is a bonus.”</p>
<p class="font_8">He lights up recalling the technical innovations on the F1 film, particularly proud of the cutting-edge camera work that gives viewers a peek inside the cockpit like never before. “It’s so engaging, so thrilling. I was gripped the whole way through.”</p>
<p class="font_8"><br></p>
<p class="font_8">Not all roles offer the freedom of fiction. Merrick reflects on playing snooker legend Steve Davis in the <em>BBC</em> film <em>The Rat Pack</em> as one of his most demanding experiences.</p>
<p class="font_8"><br></p>
<p class="font_8">“It’s a real challenge. You’re studying source material, perfecting mannerisms and voice, but you can’t just do an impersonation,” he says. He remembers the pressure of living up to a real person’s legacy, especially when they’re still alive. “There’s a specificity to it. People expect a certain essence.”</p>
<p class="font_8"><br></p>
<p class="font_8">A pivotal moment came when director Brian Welch gave him a stern pep talk about preparation. “He basically said, ‘Get your shit together.’ It was the best thing that could have happened. I realized I wasn’t inventing a character - I had to embody someone the audience already knew. It changed how I work forever.”</p>
<p class="font_8"><br></p>
<p class="font_8">Merrick is refreshingly honest about his struggles with anxiety. “I used to think worrying was like a superpower,” he says. “Turns out it’s more like a kryptonite that makes you want to hide under the duvet.”</p>
<p class="font_8"><br></p>
<p class="font_8">Acting helped him realize that sometimes you just have to do the work and let go. “The best actors I know are the ones who can get out of their own heads. I’m working on it - slowly, with lots of tea and deep breaths.”</p>

Will Merrick

<p class="font_8">When finding a state of flow between wellbeing and working within the creative industries,&nbsp;Will&nbsp;Best&nbsp;is no stranger to putting his&nbsp;best&nbsp;foot forward regarding its nuance. It's become a state of mind for&nbsp;Will, focusing and prioritising joy and balance. We sit down with&nbsp;Will&nbsp;for his HATC digital cover to discuss the OG Big Brother and our potential to manage anxiety and prioritise what brings you peace and joy.&nbsp;</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;What a great shoot we all had! It was so much fun!</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;Everyone did such a fantastic job!</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;It's always such a lovely thing to do things that we enjoy. When it comes to finding work, doing something you love is key, or at least for me, having joy in what we do is essential. How have you found joy in your work, and how important has that element been?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;It's precisely that thing of wanting to do something that I enjoyed, or at least wanting to do something fun. When I first finished uni, I started working in advertising. I worked for a big advertising&nbsp;<em>agency</em>&nbsp;up in Manchester&nbsp;before&nbsp;I moved down to London and got a job&nbsp;<em>at an agency in London, working on the Nike account. If you want to work in advertising, which I thought maybe I would do, working on Nike is your dream job.</em>&nbsp;You know you've made it, but I realised on day two that it was not my dream job. And even though you're working adjacent to an amazing creative advertising campaign, my job was the middleman between the client and the&nbsp;<em>creatives</em>. I was absolutely terrible at it. And I don't know whether I was awful at it because I realised I didn't want to do it or whether I didn't want to do it because I was terrible at it, but either way, I was beyond miserable. I think it was made worse because it was such a competitive industry at the time, and I knew how lucky I was to get this job. The fact that I was not enjoying it felt like a terrible waste. I used to get the tube into Shoreditch and Liverpool Street from Finsbury Park, and with every&nbsp;interaction I had on my way to work, I would wish I had that person's job. Everything else seemed better than what I was doing. And it made me realise that while I'm still young and footloose, I should do something just fun, which might open doors to other things. At the time, two of my biggest passions were music and comedy – and I'm neither a musician nor a comedian.</p>
<p class="font_8"><br></p>
<p class="font_8">I used to watch T4 all the time at uni, and I used to think they were funny and that they were interviewing bands and musicians. They were also all getting jobs on the radio from the back of this. I thought that was where I wanted to be, so I gave myself a year. I quit my job and gave myself a year to try and get on the telly, but specifically, not just on the telly for telly's sake; I wanted to be around music and all kinds of things that I was interested in. And then a series of incredibly fortunate events all fell into place. At the end of the year, I got my first job on MTV, before channel four. But I'm deeply aware the world was different&nbsp;<em>back then</em>, and it was so much down to luck.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;It's a harsh industry to break into, especially with all the technology and mediums we have now, let alone when it comes to the financial side of things.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;When I was first starting out, the thing that gave me the impetus to be able to quit that job in advertising was that a friend of mine at a party, I was talking to him about how I'm thinking of, like, I hate my job, and I'm thinking of this TV thing, which seemed like a mad idea. He knew somebody who was casting for these educational videos for English language students in Germany and Italy. He put me in touch with his person, and I went to this casting and got this job presenting these random videos. It was an incredibly low budget, but it was paid. The pay from those videos was the equivalent of six weeks' salary<em>&nbsp;in my advertising job</em>,&nbsp;<em>meaning</em>&nbsp;I could pay the rent if I quit&nbsp;<em>that and have time to find more work</em>.&nbsp;Back then, rent was cheap. You could live somewhere in London. I could afford to work part-time in bars to support myself for that year and still have the time to get a showreel together. So, I interviewed bands and did random things to get a showreel together. But nowadays, unless you have parents who live in London, it's really hard.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong> You've since come to start hosting Big Brother, which is obviously iconic for so many of us. The early series were the height of reality TV when we were growing up. It's so interesting, and even when it stopped, iconic moments have carried over onto new social media to the point that the next generation still knows about them! I'm talking about Gemma Collin's iconic moments.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong> Yeah, Big Brother got a new lease of life on TikTok before we relaunched it. It hadn't been on TV for six years, but the memes kept it alive, and young people were excited even if they didn't watch it the first time. We knew there was a lot of pressure—fans are passionate—but we're fans, too, so no one put more pressure on the show than we did.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;Especially in this cancel culture era—it must have been nerve-wracking.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;Definitely. But we have systems in place. If someone crosses a line, they're warned or removed, and the show continues. The arbiter of what is and isn't acceptable is the public's take on it all. The welfare of everybody in the house is the most important thing. And as soon as somebody says or does something that makes other people in the house feel they can't continue their experience without feeling, you know, afraid, that's the line.&nbsp;<em>In the most recent celeb series</em>Mickey was ejected, and it was discussed, it was dealt with, and then we carried on with the show. There was the&nbsp;<em>safety net</em>, you know, and then everybody else left in the house could have their moment and flourish. The point of Big Brother is to reflect real people's views. The public decides if they like someone. The show's always surprising—every season, it delivers drama, laughter, and moments you couldn't script. That's why it's still going after all these years.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;Do you still find yourself surprised by each series?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;The lesson I learned quickly and knew as a&nbsp;<em>fan of the show</em>&nbsp;is to trust the format. It will always throw surprises at&nbsp;you. You cannot script it. If you sat down and tried to imagine the arc of a series or what people would say and do, it's literally impossible. In every series, you will be surprised. In every series, there will be drama, there will be laughter, and there will be everything you need for an incredible entertainment experience. It will consistently deliver. And there's a reason why Big Brother is one of the most enduring TV shows in the world. Big Brother has been on in multiple countries every part of the year, without fail, since it started.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;It's so true—Big Brother has stood the test of time, unlike other shows that fizzled out. And it's great that you prioritise housemates' welfare. On a personal level, when it comes to your own wellbeing and having boundaries, how do you manage to look after your own mental health?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;I think for me it's a kind of an ongoing struggle, really, like I'm aware of the areas that I struggle with in terms of mental health, and that is around anxiety, health anxiety, those sorts of things. I know that I catastrophise. But I've become more&nbsp;<em>adept at&nbsp;</em>self-reflection. I'm not afraid of talking to my fiancée about it or my friends and family about it. I found that that has got me to a certain point in terms of managing it, but I am terrible at taking the next step and consistently working on it more meaningfully.&nbsp;I've struggled with anxiety and health anxiety for years. I've tried EMDR therapy, which was really helpful, but I haven't kept up with it as I should. Life is so busy—TV, radio, other projects—and I always put myself last on the list. But I know that prioritising my mental health a little more would help me do everything else better.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;I totally get that. Sometimes, you need a break from therapy to live your life and be in a space and breathe. My mom always tells me that if I'm trying my best—going to appointments, taking meds, doing what I can—that's enough. Perfection isn't realistic, and we need to give ourselves grace.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;Absolutely. I hope to set a good example by being honest about it, but there's always room to improve.</p>
<p class="font_8">Alice: Definitely. Everyone has their own little joys. For example, I love F1 on Sundays and grabbing coffee. What's yours?</p>

Will Best

<p class="font_8">Madeline Brewer has built a career playing women on the edge. From the vulnerable yet defiant Tricia in 'Orange Is the New Black' to the eerie, surreal world of 'Cam', and, of course, the unforgettable Janine in 'The Handmaid's Tale', Brewer has consistently chosen roles that challenge both her and her audience. Her characters are raw, complex, and often trapped in oppressive systems—yet they fight, adapt, and survive. But what does that kind of work do to an actor's mind? How does she step into such intense roles without losing herself in them?</p>
<p class="font_8"><br></p>
<p class="font_8">Off-screen, she speaks with an openness that makes it clear she feels things deeply, someone who takes her work seriously but doesn't let it define her entire world. With the release of the final season of The Handmaid's Tale and her upcoming role in You, it's a fitting time for a conversation that weaves through the intensity of her career, the importance of mental health, and the small but essential joys that keep her grounded.</p>
<p class="font_8"><br></p>
<p class="font_8">Brewer doesn't shy away from acknowledging the toll her roles can take. For six seasons, Brewer has embodied Janine—a woman who has endured unspeakable trauma yet clings to hope in the dystopian nightmare of The Handmaid's Tale. From losing an eye as punishment in season one to being shuffled between commanders and forced into exile in Chicago, Janine has experienced some of the most harrowing moments in the series. And while audiences watch from a safe distance, Brewer has lived inside that pain for years. "I did a scene in this season where I was truly in fight-or-flight mode; I was really on edge," she recalls. "My body didn't know the difference between what was real and what wasn't—it just knew what it was experiencing."</p>

Madeline Brewer

<p class="font_8">In the lead-up to the premiere of her next feature-length film, London-born actress Cynthia Addai-Robinson divulges her distinctive journey into acting. From her early days leading as Annie in her high school musical in Washington D.C. to filming in New Zealand in the inclusive and fantastical world of The Lord of the Rings, she is now finding herself back on set with Ben Affleck and J.K. Simmons for The Accountant 2.</p>
<p class="font_8"><br></p>
<p class="font_8">A: Let's talk about growing up and the influences that led to acting. You were born in London, and then you moved to the US, I want to say Washington, when you were five or six?</p>
<p class="font_8"><br></p>
<p class="font_8">C: Washington, DC area, around four [years old], so obviously, my accent is wholly gone unless I need it for work!</p>
<p class="font_8"><br></p>
<p class="font_8">It's interesting not to have as strong of a memory of it. It's hard to think back to being a toddler. Of course, I have only the faintest memory of being in London from a young age before growing up outside Washington, DC. I led what I'd consider a regular suburban upbringing and found my way into acting as an outlier in my family. I don't come from a household of art artists or artistic people. My mother was really into fashion, and it's interesting because I always remember when I got a little bit older and realised that my mom actually had a path to it. She used to sew, and she would sew outfits for my dolls. She was really into textiles, which could have been her outlet if life had led her down that path. But she was a nurse when I was growing up, and then she owned a business selling children's clothing. So, I grew up in a family business, and acting for me was something I found my voice in. It starts with those modern school plays that people tend to do when they're in elementary school and up to high school, where it was just something outside of my academic part of school that I really felt a growing sense of confidence around and almost permission to be bigger and bolder on a stage than I felt like I could be in my day- to- day life, which is probably still valid. So, I'm fortunate and thankful that I was encouraged by my mother and encouraged by teachers that it felt like a viable path that I could take because I know that's not always the case. Not everybody is thrilled when their child says they want to be an actor. So, it took some convincing, but luckily, I had the support.</p>
<p class="font_8"><br></p>
<p class="font_8">A: Did going into acting at a young age help you find your identity?</p>
<p class="font_8"><br></p>
<p class="font_8">C: I was very fortunate. And I always think about this in hindsight, growing up outside of Washington, D.C. It's a cultural melting pot. So, I went to a huge high school with kids from different backgrounds, walks of life, ethnicities, religions, and languages, and that was my baseline. That was normal to me, and the school productions that we would put on, you know, would always be this colourblind, open, access to all. In my second year of high school, I got the lead, which was a big deal when I was 14. And hilariously, I played Annie in the High School Musical, which now, in hindsight, you know, was progressive when it wasn't necessarily something they were trying to do. It was like, Yeah, this student will play Annie. And it wasn't; it didn't have a heavyweight. It just was what it was because that was the nature of my school. And so, I think back on that and how amazing that was when it essentially felt like, 'Oh, the opportunities are endless and boundless and very much open to me for whatever I want to play.' It's nice to carry that into my professional acting life, where I would always want to feel like what I guess they now call leading character energy. You want to be the main character of your world and your story, not permanently be sidelined or just viewed as somebody that just supports. I benefitted from the culture where I grew up, at my particular school, where the encouragement was, 'Yeah, you can play whatever role you want to play.' You're not limited by things in the way that the world can sometimes limit us in our real lives and even in the industry. So, that was vital for me to experience as a student, and I still carry it with me to this day.</p>
<p class="font_8"><br></p>
<p class="font_8">A: I love that your school pushed for that and encouraged you. I think it's terrific.</p>
<p class="font_8"><br></p>
<p class="font_8">C: I mean, again, I have such appreciation for it. I don't know what a typical teen or high school student experiences now. I know it varies wildly, but I'm a massive advocate for arts and arts education as early as possible and as often as possible, even if it's not something you pursue professionally. I think that way it can give you an outlet to put all your thoughts and feelings, but just that sense of confidence and surprising yourself and learning about yourself. And the beauty of being an actor is like that, which gets to continue.</p>

Cythia Addai-Robinson

<p class="font_8">Although incredibly shy, like many of us, Tramell started performing at a young age, finding excuses to put on a show. Hearing Tillman recall these fond, playful childhood memories reminded me of times spent giggling with my friends at the lounge door, preparing to put on a show-stopping performance, to the dismay of our relatives forced to endure painfully long renditions.</p>
<p class="font_8"><br></p>
<p class="font_8">Tramell tells me these playful performances as a child were where his passion for performing began. "I was born into a family of performers, you know, and while we didn't have a physical stage, we always found a way to perform for each other in a very colourful way. There were always talent shows that were happening that the kids had to put on for the adults. There were fashion shows and Easter speeches that the kids had to give. So, there was always an opportunity for us to perform for an audience, anybody who wanted to watch or listen."</p>
<p class="font_8"><br></p>
<p class="font_8">Despite his childhood passion, acting as a career never felt in reach for Tilman. "I was told at a young age I would never make it as an actor; it frightened me and stayed with me." Tramell's childhood passions and imaginative play through acting extended into adulthood through his acting career. However, this was not a clear trajectory, with Tillman exploring a multitude of career endeavours prior to acting.</p>
<p class="font_8"><br></p>
<p class="font_8">'I told myself I was going to be a doctor. I was fascinated by science. Then, there was a time in my life when I wanted to be a storm chaser because I love learning about the elements: storms and thunderstorms and tornadoes and earthquakes. I was fascinated by the body, specifically the skeletal structure, which felt like a piece of art to me, so I said I would become an orthopaedic surgeon. I studied health and human services in high school. I got into Xavier University in New Orleans. I was doing well in school and better academically than my classmates, who are doctors now, but it wasn't something that spoke to me. It felt I was doing something because I was told to do it. I always admired the joy and light I would see in the eyes of my classmates, who enjoyed learning about nomenclature and balancing equations, and I wanted to find that joy for myself.'</p>
<p class="font_8"><br></p>
<p class="font_8">Tramell's career transition is one that I hold the utmost respect for. It takes immense courage to prioritise finding "the thing that lights your fire". Even more admirable is that Tramell gave himself the time and space to navigate what that meant for him. Too often, society—whether it's schools, communities, or even family—pressures us to choose a career path in our teens or early adulthood and stick to it, regardless of whether it genuinely feels like our calling. There's this "suck it up and deal with it" mentality that Tramell has gracefully rejected. His journey is a reminder of the power of choosing authenticity over conformity.</p>
<p class="font_8"><br></p>
<p class="font_8">Tillman discusses these initial drawbacks to pursuing acting, stating, "I grew up in PG County, Maryland, which at the time, was one of the richest Black counties in America, and excellence was the name of the game across the board. There were a lot of teachers, administrators, and managers; the middle class and upper middle class, so there weren't a lot of professional performers within reach that I could connect with."</p>
<p class="font_8"><br></p>
<p class="font_8">These drawbacks were heightened further by the "acceptability politics" of the 80's. Tillman is honest about how growing up Black in Maryland affected his initial career trajectory. "Growing up in the ‘80s and ‘90s, there were acceptability politics; being excellent and Black were very important. We could not be mediocre. We could not make mistakes, and now, that has changed. There's room for us to be and exist, but back then, there was no room for error."</p>
<p class="font_8"><br></p>
<p class="font_8">Tramell also points out the privilege of choosing your path, highlighting the generational differences in how success is defined and what should be prioritised. He explains how he intentionally put himself in a position to make that choice, showing that his career transition was about redefining success on his terms.</p>
<p class="font_8"><br></p>
<p class="font_8">"My parents, they were of a different fabric – you did what you could to get along, to be able to provide for your family, and what they instilled in me was to be able to put myself in a position where I could choose, if I had the option. I had to go back and find the thing that lit my fire, and it took me a long time to get there. I bounced from career to career. I went to advertising, I went to public relations, I did non-profit management, and none of it fit. Eventually, I gave in and followed my dream, and that, in itself, is its separate journey. I decided to graduate from the University of Tennessee and go to New York, pounding the pavement for 10 years. There were many times I wanted to give up, but I'm so glad I did not."</p>

Tramell Tillman

<p class="font_8">Marissa Bode did not think she and Wicked deserved each other when she first got the role of Nessarose. After being offered the role in Wicked on a Zoom call by the leads Cynthia Erivo (Elphaba) and Ariana Grande (Glinda) holding up a sign saying, “Will you be our Nessarose?” with Director Jon M.Chu also on hand, imposter syndrome had sunk in for the actress. “I was happy for myself for maybe a few hours, and then I was spiralling like, well, why is it me? Is there someone else out there that’s better? Why would they choose me?”. Since its release last month, the movie adaptation of the beloved musical Wicked has already become a cultural phenomenon. Smashing the box office with a massive $500 million to date, becoming the biggest non-sequel release of the year and soaring to the second highest-grossing stage musical adaptation of all time, overtaking the likes of Grease and Les Misérables. Whilst we hold space for the second instalment of Wicked (now officially titled Wicked: For Good), Marissa Bode takes us on her journey of navigating the industry as a disabled actress from living in a small-town Wisconsin in America to now making her film debut in one of the biggest films of the year as Nessarose.</p>
<p class="font_8"><br></p>
<p class="font_8">A year after graduating from AMDA College of the Performing Arts in Los Angeles, Marissa found herself in London for the first time to film the Wicked Pt1. And Pt.2, fulfilling her childhood dream of acting. Still, even before that, she had already chosen a more realistic career route. “I did for a little bit, but it wasn’t super fulfilling, and it just wasn’t something I could see myself doing long term. I loved my previous jobs genuinely, but it was never something I could see myself doing for the rest of my life.” She confesses, “So, I think just taking that first leap and trying was important.”. Before pursuing acting in college, she filmed a video with her friends and teachers on her last day in high school in Wisconsin wishing her well, including her Chemistry teacher hoping to see her on Broadway. It was surreal when she watched it back in London during the filming of Wicked, although not on Broadway (yet), “It’s that it still happened. And it was just so wild to look back on again, this dream that I’ve had forever, and then just for it to be here and to be real, it just, it’s just so cool. And I feel so loved.”.</p>
<p class="font_8"><br></p>
<p class="font_8">The 24-year-old actress has made history by being the first disabled actress to play Nessarose in any production of Wicked. The sets for Oz, where they filmed in London at Elstree Studios, were made accessible. Universal Pictures hired Disability Co-ordinator Chantelle Nassari (whom Bode praises) to enable a safe set for disabled cast members. Marissa says that having these requirements already accommodated for on-set and by the team asking her and other disabled cast members what they need is the way to make sets more inclusive. “I think sometimes people are a bit afraid to ask questions because they think that they’re going to be offensive”, she admits, “but I would 100% rather somebody makes a ‘mistake’ or maybe say something wrong, and I correct them, or just have something maybe not be perfect, and then me, or any disabled person for that matter, being able to swoop in and critique, or, ‘Hey, actually, let’s do it this way’, or fix it, or do it a different way than just no questions asked, this is how it’s going to be. Sorry if you can’t get in the building. That’s not my problem type thing.” she explains.</p>
<p class="font_8"><br></p>
<p class="font_8">“Or just always the responsibility on the disabled person to do all of the work the whole time, all of the extra steps, the whole time, when you can hire somebody that can help, or again, you can ask questions, I think that’s important in terms of really making sure a disabled person feels safe. In the long run, we as humans, as we age, we become disabled. Most people become disabled in one way or another as they age, and tomorrow isn’t promised for anybody. In a number of ways, I know that more than anybody else and why I’m disabled today, nobody plans for that kind of thing. And so if you don’t necessarily care enough about disability for other people or other individuals, you should definitely care about it for yourself because you never know what could happen. I think it’s about keeping disabled people in mind and asking the right questions, hiring disabled people in your spaces, reading books on disability, providing books to kids about disability, and education are also very important in this conversation. I think it all adds up very impactful,” she continues.</p>

Marissa Bode

bottom of page