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Film & TV

<p class="font_8">When finding a state of flow between wellbeing and working within the creative industries,&nbsp;Will&nbsp;Best&nbsp;is no stranger to putting his&nbsp;best&nbsp;foot forward regarding its nuance. It's become a state of mind for&nbsp;Will, focusing and prioritising joy and balance. We sit down with&nbsp;Will&nbsp;for his HATC digital cover to discuss the OG Big Brother and our potential to manage anxiety and prioritise what brings you peace and joy.&nbsp;</p>
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<p class="font_8"><strong>Alice:</strong>&nbsp;What a great shoot we all had! It was so much fun!</p>
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<p class="font_8"><strong>Will:</strong>&nbsp;Everyone did such a fantastic job!</p>
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<p class="font_8"><strong>Alice:</strong>&nbsp;It's always such a lovely thing to do things that we enjoy. When it comes to finding work, doing something you love is key, or at least for me, having joy in what we do is essential. How have you found joy in your work, and how important has that element been?</p>
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<p class="font_8"><strong>Will:</strong>&nbsp;It's precisely that thing of wanting to do something that I enjoyed, or at least wanting to do something fun. When I first finished uni, I started working in advertising. I worked for a big advertising&nbsp;<em>agency</em>&nbsp;up in Manchester&nbsp;before&nbsp;I moved down to London and got a job&nbsp;<em>at an agency in London, working on the Nike account. If you want to work in advertising, which I thought maybe I would do, working on Nike is your dream job.</em>&nbsp;You know you've made it, but I realised on day two that it was not my dream job. And even though you're working adjacent to an amazing creative advertising campaign, my job was the middleman between the client and the&nbsp;<em>creatives</em>. I was absolutely terrible at it. And I don't know whether I was awful at it because I realised I didn't want to do it or whether I didn't want to do it because I was terrible at it, but either way, I was beyond miserable. I think it was made worse because it was such a competitive industry at the time, and I knew how lucky I was to get this job. The fact that I was not enjoying it felt like a terrible waste. I used to get the tube into Shoreditch and Liverpool Street from Finsbury Park, and with every&nbsp;interaction I had on my way to work, I would wish I had that person's job. Everything else seemed better than what I was doing. And it made me realise that while I'm still young and footloose, I should do something just fun, which might open doors to other things. At the time, two of my biggest passions were music and comedy – and I'm neither a musician nor a comedian.</p>
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<p class="font_8">I used to watch T4 all the time at uni, and I used to think they were funny and that they were interviewing bands and musicians. They were also all getting jobs on the radio from the back of this. I thought that was where I wanted to be, so I gave myself a year. I quit my job and gave myself a year to try and get on the telly, but specifically, not just on the telly for telly's sake; I wanted to be around music and all kinds of things that I was interested in. And then a series of incredibly fortunate events all fell into place. At the end of the year, I got my first job on MTV, before channel four. But I'm deeply aware the world was different&nbsp;<em>back then</em>, and it was so much down to luck.</p>
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<p class="font_8"><strong>Alice:</strong>&nbsp;It's a harsh industry to break into, especially with all the technology and mediums we have now, let alone when it comes to the financial side of things.</p>
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<p class="font_8"><strong>Will:</strong>&nbsp;When I was first starting out, the thing that gave me the impetus to be able to quit that job in advertising was that a friend of mine at a party, I was talking to him about how I'm thinking of, like, I hate my job, and I'm thinking of this TV thing, which seemed like a mad idea. He knew somebody who was casting for these educational videos for English language students in Germany and Italy. He put me in touch with his person, and I went to this casting and got this job presenting these random videos. It was an incredibly low budget, but it was paid. The pay from those videos was the equivalent of six weeks' salary<em>&nbsp;in my advertising job</em>,&nbsp;<em>meaning</em>&nbsp;I could pay the rent if I quit&nbsp;<em>that and have time to find more work</em>.&nbsp;Back then, rent was cheap. You could live somewhere in London. I could afford to work part-time in bars to support myself for that year and still have the time to get a showreel together. So, I interviewed bands and did random things to get a showreel together. But nowadays, unless you have parents who live in London, it's really hard.</p>
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<p class="font_8"><strong>Alice:</strong> You've since come to start hosting Big Brother, which is obviously iconic for so many of us. The early series were the height of reality TV when we were growing up. It's so interesting, and even when it stopped, iconic moments have carried over onto new social media to the point that the next generation still knows about them! I'm talking about Gemma Collin's iconic moments.</p>
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<p class="font_8"><strong>Will:</strong> Yeah, Big Brother got a new lease of life on TikTok before we relaunched it. It hadn't been on TV for six years, but the memes kept it alive, and young people were excited even if they didn't watch it the first time. We knew there was a lot of pressure—fans are passionate—but we're fans, too, so no one put more pressure on the show than we did.</p>
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<p class="font_8"><strong>Alice:</strong>&nbsp;Especially in this cancel culture era—it must have been nerve-wracking.</p>
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<p class="font_8"><strong>Will:</strong>&nbsp;Definitely. But we have systems in place. If someone crosses a line, they're warned or removed, and the show continues. The arbiter of what is and isn't acceptable is the public's take on it all. The welfare of everybody in the house is the most important thing. And as soon as somebody says or does something that makes other people in the house feel they can't continue their experience without feeling, you know, afraid, that's the line.&nbsp;<em>In the most recent celeb series</em>Mickey was ejected, and it was discussed, it was dealt with, and then we carried on with the show. There was the&nbsp;<em>safety net</em>, you know, and then everybody else left in the house could have their moment and flourish. The point of Big Brother is to reflect real people's views. The public decides if they like someone. The show's always surprising—every season, it delivers drama, laughter, and moments you couldn't script. That's why it's still going after all these years.</p>
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<p class="font_8"><strong>Alice:</strong>&nbsp;Do you still find yourself surprised by each series?</p>
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<p class="font_8"><strong>Will:</strong>&nbsp;The lesson I learned quickly and knew as a&nbsp;<em>fan of the show</em>&nbsp;is to trust the format. It will always throw surprises at&nbsp;you. You cannot script it. If you sat down and tried to imagine the arc of a series or what people would say and do, it's literally impossible. In every series, you will be surprised. In every series, there will be drama, there will be laughter, and there will be everything you need for an incredible entertainment experience. It will consistently deliver. And there's a reason why Big Brother is one of the most enduring TV shows in the world. Big Brother has been on in multiple countries every part of the year, without fail, since it started.</p>
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<p class="font_8"><strong>Alice:</strong>&nbsp;It's so true—Big Brother has stood the test of time, unlike other shows that fizzled out. And it's great that you prioritise housemates' welfare. On a personal level, when it comes to your own wellbeing and having boundaries, how do you manage to look after your own mental health?</p>
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<p class="font_8"><strong>Will:</strong>&nbsp;I think for me it's a kind of an ongoing struggle, really, like I'm aware of the areas that I struggle with in terms of mental health, and that is around anxiety, health anxiety, those sorts of things. I know that I catastrophise. But I've become more&nbsp;<em>adept at&nbsp;</em>self-reflection. I'm not afraid of talking to my fiancée about it or my friends and family about it. I found that that has got me to a certain point in terms of managing it, but I am terrible at taking the next step and consistently working on it more meaningfully.&nbsp;I've struggled with anxiety and health anxiety for years. I've tried EMDR therapy, which was really helpful, but I haven't kept up with it as I should. Life is so busy—TV, radio, other projects—and I always put myself last on the list. But I know that prioritising my mental health a little more would help me do everything else better.</p>
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<p class="font_8"><strong>Alice:</strong>&nbsp;I totally get that. Sometimes, you need a break from therapy to live your life and be in a space and breathe. My mom always tells me that if I'm trying my best—going to appointments, taking meds, doing what I can—that's enough. Perfection isn't realistic, and we need to give ourselves grace.</p>
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<p class="font_8"><strong>Will:</strong>&nbsp;Absolutely. I hope to set a good example by being honest about it, but there's always room to improve.</p>
<p class="font_8">Alice: Definitely. Everyone has their own little joys. For example, I love F1 on Sundays and grabbing coffee. What's yours?</p>

Will Best

<p class="font_8">Madeline Brewer has built a career playing women on the edge. From the vulnerable yet defiant Tricia in 'Orange Is the New Black' to the eerie, surreal world of 'Cam', and, of course, the unforgettable Janine in 'The Handmaid's Tale', Brewer has consistently chosen roles that challenge both her and her audience. Her characters are raw, complex, and often trapped in oppressive systems—yet they fight, adapt, and survive. But what does that kind of work do to an actor's mind? How does she step into such intense roles without losing herself in them?</p>
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<p class="font_8">Off-screen, she speaks with an openness that makes it clear she feels things deeply, someone who takes her work seriously but doesn't let it define her entire world. With the release of the final season of The Handmaid's Tale and her upcoming role in You, it's a fitting time for a conversation that weaves through the intensity of her career, the importance of mental health, and the small but essential joys that keep her grounded.</p>
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<p class="font_8">Brewer doesn't shy away from acknowledging the toll her roles can take. For six seasons, Brewer has embodied Janine—a woman who has endured unspeakable trauma yet clings to hope in the dystopian nightmare of The Handmaid's Tale. From losing an eye as punishment in season one to being shuffled between commanders and forced into exile in Chicago, Janine has experienced some of the most harrowing moments in the series. And while audiences watch from a safe distance, Brewer has lived inside that pain for years. "I did a scene in this season where I was truly in fight-or-flight mode; I was really on edge," she recalls. "My body didn't know the difference between what was real and what wasn't—it just knew what it was experiencing."</p>

Madeline Brewer

<p class="font_8">In the lead-up to the premiere of her next feature-length film, London-born actress Cynthia Addai-Robinson divulges her distinctive journey into acting. From her early days leading as Annie in her high school musical in Washington D.C. to filming in New Zealand in the inclusive and fantastical world of The Lord of the Rings, she is now finding herself back on set with Ben Affleck and J.K. Simmons for The Accountant 2.</p>
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<p class="font_8">A: Let's talk about growing up and the influences that led to acting. You were born in London, and then you moved to the US, I want to say Washington, when you were five or six?</p>
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<p class="font_8">C: Washington, DC area, around four [years old], so obviously, my accent is wholly gone unless I need it for work!</p>
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<p class="font_8">It's interesting not to have as strong of a memory of it. It's hard to think back to being a toddler. Of course, I have only the faintest memory of being in London from a young age before growing up outside Washington, DC. I led what I'd consider a regular suburban upbringing and found my way into acting as an outlier in my family. I don't come from a household of art artists or artistic people. My mother was really into fashion, and it's interesting because I always remember when I got a little bit older and realised that my mom actually had a path to it. She used to sew, and she would sew outfits for my dolls. She was really into textiles, which could have been her outlet if life had led her down that path. But she was a nurse when I was growing up, and then she owned a business selling children's clothing. So, I grew up in a family business, and acting for me was something I found my voice in. It starts with those modern school plays that people tend to do when they're in elementary school and up to high school, where it was just something outside of my academic part of school that I really felt a growing sense of confidence around and almost permission to be bigger and bolder on a stage than I felt like I could be in my day- to- day life, which is probably still valid. So, I'm fortunate and thankful that I was encouraged by my mother and encouraged by teachers that it felt like a viable path that I could take because I know that's not always the case. Not everybody is thrilled when their child says they want to be an actor. So, it took some convincing, but luckily, I had the support.</p>
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<p class="font_8">A: Did going into acting at a young age help you find your identity?</p>
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<p class="font_8">C: I was very fortunate. And I always think about this in hindsight, growing up outside of Washington, D.C. It's a cultural melting pot. So, I went to a huge high school with kids from different backgrounds, walks of life, ethnicities, religions, and languages, and that was my baseline. That was normal to me, and the school productions that we would put on, you know, would always be this colourblind, open, access to all. In my second year of high school, I got the lead, which was a big deal when I was 14. And hilariously, I played Annie in the High School Musical, which now, in hindsight, you know, was progressive when it wasn't necessarily something they were trying to do. It was like, Yeah, this student will play Annie. And it wasn't; it didn't have a heavyweight. It just was what it was because that was the nature of my school. And so, I think back on that and how amazing that was when it essentially felt like, 'Oh, the opportunities are endless and boundless and very much open to me for whatever I want to play.' It's nice to carry that into my professional acting life, where I would always want to feel like what I guess they now call leading character energy. You want to be the main character of your world and your story, not permanently be sidelined or just viewed as somebody that just supports. I benefitted from the culture where I grew up, at my particular school, where the encouragement was, 'Yeah, you can play whatever role you want to play.' You're not limited by things in the way that the world can sometimes limit us in our real lives and even in the industry. So, that was vital for me to experience as a student, and I still carry it with me to this day.</p>
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<p class="font_8">A: I love that your school pushed for that and encouraged you. I think it's terrific.</p>
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<p class="font_8">C: I mean, again, I have such appreciation for it. I don't know what a typical teen or high school student experiences now. I know it varies wildly, but I'm a massive advocate for arts and arts education as early as possible and as often as possible, even if it's not something you pursue professionally. I think that way it can give you an outlet to put all your thoughts and feelings, but just that sense of confidence and surprising yourself and learning about yourself. And the beauty of being an actor is like that, which gets to continue.</p>

Cythia Addai-Robinson

<p class="font_8">Although incredibly shy, like many of us, Tramell started performing at a young age, finding excuses to put on a show. Hearing Tillman recall these fond, playful childhood memories reminded me of times spent giggling with my friends at the lounge door, preparing to put on a show-stopping performance, to the dismay of our relatives forced to endure painfully long renditions.</p>
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<p class="font_8">Tramell tells me these playful performances as a child were where his passion for performing began. "I was born into a family of performers, you know, and while we didn't have a physical stage, we always found a way to perform for each other in a very colourful way. There were always talent shows that were happening that the kids had to put on for the adults. There were fashion shows and Easter speeches that the kids had to give. So, there was always an opportunity for us to perform for an audience, anybody who wanted to watch or listen."</p>
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<p class="font_8">Despite his childhood passion, acting as a career never felt in reach for Tilman. "I was told at a young age I would never make it as an actor; it frightened me and stayed with me." Tramell's childhood passions and imaginative play through acting extended into adulthood through his acting career. However, this was not a clear trajectory, with Tillman exploring a multitude of career endeavours prior to acting.</p>
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<p class="font_8">'I told myself I was going to be a doctor. I was fascinated by science. Then, there was a time in my life when I wanted to be a storm chaser because I love learning about the elements: storms and thunderstorms and tornadoes and earthquakes. I was fascinated by the body, specifically the skeletal structure, which felt like a piece of art to me, so I said I would become an orthopaedic surgeon. I studied health and human services in high school. I got into Xavier University in New Orleans. I was doing well in school and better academically than my classmates, who are doctors now, but it wasn't something that spoke to me. It felt I was doing something because I was told to do it. I always admired the joy and light I would see in the eyes of my classmates, who enjoyed learning about nomenclature and balancing equations, and I wanted to find that joy for myself.'</p>
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<p class="font_8">Tramell's career transition is one that I hold the utmost respect for. It takes immense courage to prioritise finding "the thing that lights your fire". Even more admirable is that Tramell gave himself the time and space to navigate what that meant for him. Too often, society—whether it's schools, communities, or even family—pressures us to choose a career path in our teens or early adulthood and stick to it, regardless of whether it genuinely feels like our calling. There's this "suck it up and deal with it" mentality that Tramell has gracefully rejected. His journey is a reminder of the power of choosing authenticity over conformity.</p>
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<p class="font_8">Tillman discusses these initial drawbacks to pursuing acting, stating, "I grew up in PG County, Maryland, which at the time, was one of the richest Black counties in America, and excellence was the name of the game across the board. There were a lot of teachers, administrators, and managers; the middle class and upper middle class, so there weren't a lot of professional performers within reach that I could connect with."</p>
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<p class="font_8">These drawbacks were heightened further by the "acceptability politics" of the 80's. Tillman is honest about how growing up Black in Maryland affected his initial career trajectory. "Growing up in the ‘80s and ‘90s, there were acceptability politics; being excellent and Black were very important. We could not be mediocre. We could not make mistakes, and now, that has changed. There's room for us to be and exist, but back then, there was no room for error."</p>
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<p class="font_8">Tramell also points out the privilege of choosing your path, highlighting the generational differences in how success is defined and what should be prioritised. He explains how he intentionally put himself in a position to make that choice, showing that his career transition was about redefining success on his terms.</p>
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<p class="font_8">"My parents, they were of a different fabric – you did what you could to get along, to be able to provide for your family, and what they instilled in me was to be able to put myself in a position where I could choose, if I had the option. I had to go back and find the thing that lit my fire, and it took me a long time to get there. I bounced from career to career. I went to advertising, I went to public relations, I did non-profit management, and none of it fit. Eventually, I gave in and followed my dream, and that, in itself, is its separate journey. I decided to graduate from the University of Tennessee and go to New York, pounding the pavement for 10 years. There were many times I wanted to give up, but I'm so glad I did not."</p>

Tramell Tillman

<p class="font_8">Marissa Bode did not think she and Wicked deserved each other when she first got the role of Nessarose. After being offered the role in Wicked on a Zoom call by the leads Cynthia Erivo (Elphaba) and Ariana Grande (Glinda) holding up a sign saying, “Will you be our Nessarose?” with Director Jon M.Chu also on hand, imposter syndrome had sunk in for the actress. “I was happy for myself for maybe a few hours, and then I was spiralling like, well, why is it me? Is there someone else out there that’s better? Why would they choose me?”. Since its release last month, the movie adaptation of the beloved musical Wicked has already become a cultural phenomenon. Smashing the box office with a massive $500 million to date, becoming the biggest non-sequel release of the year and soaring to the second highest-grossing stage musical adaptation of all time, overtaking the likes of Grease and Les Misérables. Whilst we hold space for the second instalment of Wicked (now officially titled Wicked: For Good), Marissa Bode takes us on her journey of navigating the industry as a disabled actress from living in a small-town Wisconsin in America to now making her film debut in one of the biggest films of the year as Nessarose.</p>
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<p class="font_8">A year after graduating from AMDA College of the Performing Arts in Los Angeles, Marissa found herself in London for the first time to film the Wicked Pt1. And Pt.2, fulfilling her childhood dream of acting. Still, even before that, she had already chosen a more realistic career route. “I did for a little bit, but it wasn’t super fulfilling, and it just wasn’t something I could see myself doing long term. I loved my previous jobs genuinely, but it was never something I could see myself doing for the rest of my life.” She confesses, “So, I think just taking that first leap and trying was important.”. Before pursuing acting in college, she filmed a video with her friends and teachers on her last day in high school in Wisconsin wishing her well, including her Chemistry teacher hoping to see her on Broadway. It was surreal when she watched it back in London during the filming of Wicked, although not on Broadway (yet), “It’s that it still happened. And it was just so wild to look back on again, this dream that I’ve had forever, and then just for it to be here and to be real, it just, it’s just so cool. And I feel so loved.”.</p>
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<p class="font_8">The 24-year-old actress has made history by being the first disabled actress to play Nessarose in any production of Wicked. The sets for Oz, where they filmed in London at Elstree Studios, were made accessible. Universal Pictures hired Disability Co-ordinator Chantelle Nassari (whom Bode praises) to enable a safe set for disabled cast members. Marissa says that having these requirements already accommodated for on-set and by the team asking her and other disabled cast members what they need is the way to make sets more inclusive. “I think sometimes people are a bit afraid to ask questions because they think that they’re going to be offensive”, she admits, “but I would 100% rather somebody makes a ‘mistake’ or maybe say something wrong, and I correct them, or just have something maybe not be perfect, and then me, or any disabled person for that matter, being able to swoop in and critique, or, ‘Hey, actually, let’s do it this way’, or fix it, or do it a different way than just no questions asked, this is how it’s going to be. Sorry if you can’t get in the building. That’s not my problem type thing.” she explains.</p>
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<p class="font_8">“Or just always the responsibility on the disabled person to do all of the work the whole time, all of the extra steps, the whole time, when you can hire somebody that can help, or again, you can ask questions, I think that’s important in terms of really making sure a disabled person feels safe. In the long run, we as humans, as we age, we become disabled. Most people become disabled in one way or another as they age, and tomorrow isn’t promised for anybody. In a number of ways, I know that more than anybody else and why I’m disabled today, nobody plans for that kind of thing. And so if you don’t necessarily care enough about disability for other people or other individuals, you should definitely care about it for yourself because you never know what could happen. I think it’s about keeping disabled people in mind and asking the right questions, hiring disabled people in your spaces, reading books on disability, providing books to kids about disability, and education are also very important in this conversation. I think it all adds up very impactful,” she continues.</p>

Marissa Bode

<p class="font_8">Far from the contained and stiff upper-lipped princess Anne, Erin Doherty tells me about how she remains rooted to the aspects of creativity that are free and playful, proclaiming that it is the valid key to ‘not giving a fuck!’</p>
<p class="font_8">Doherty reflects on her journey into acting, sharing that it wasn’t just about embracing creativity and finding stability during her childhood. ‘My mum and dad split up when my sister and I were quite young, and to keep things smooth, they put us into a weekend drama club. I had been going since I was four, so it was part of my world. And I think genuinely, I could never imagine my life without that, and knowing that that was something you could do with your time just kind of blew my mind.’</p>
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<p class="font_8">Doherty has always used acting as an emotional tool, explaining: "I used acting to express emotions that I didn’t like. Being given that opportunity to be angry at someone for like five minutes in this scene with no dangerous repercussions, being allowed to express myself whilst having the safety net beneath me, just really did something for me."</p>
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<p class="font_8">She continues to harness acting as a form of emotional release and curiosity into others' emotional states: "My job is there for me to explore, be curious, play and be safe, and I just would not be who I am without it."</p>
<p class="font_8">Whilst Doherty stresses the role acting has played in her life from an emotional standpoint, she doesn’t fail to highlight the importance of viewership. "We need to tell stories; we need to express ourselves. But also, on the flip side, we need to watch stories and have things reflected on us; sometimes it takes for it to be in front of your eyes, in the format of a TV show or whatever, for you to really kind of process something that you didn’t realise was still undigested."</p>
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<p class="font_8">Delivering these stories in a way that resonates with viewers is crucial for Doherty. ‘For me, there is this real need to try and reach someone who may need to see or hear this. It is what keeps me excited.’</p>
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<p class="font_8">Speaking at greater length about audience reception, I asked how she felt about portraying such a well-known character as Princess Anne and the aftermath of such a high-profile, acclaimed role.</p>

Erin Doherty

<p class="font_8">Away from pretending to walk the runway as the dreamy model Nick Park in the ten-part Netflix adaptation of the bestselling teen book Geek Girl, Liam Woodrum finds his life outside of acting mirroring the show. At twenty-one, the actor is already accomplishing big things, such as his biggest role to date, walking the runway at NY Fashion Week this month, and dangling off a ladder in the Big Apple for his HATC cover shoot. Hot off these life-changing experiences, Liam speaks to HATC to give us the lowdown on playing the love interest and revealing things you can't find out about him on the Internet.</p>
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<p class="font_8">A: How was this shoot? It looked incredible.</p>
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<p class="font_8">L: It was so much fun. We had a blast. It was such a New York photo shoot, some of us hanging off a ladder and on a rooftop with the skyline in the back. It was really cool.</p>
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<p class="font_8">A: and how was the Gerland show at NY Fashion Week you got to walk? From the images you posted, it looked great.</p>
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<p class="font_8">L: It was amazing. It was absolutely terrifying, but it was so much fun. It turned out okay. And Geri [Sciame] (designer at Gerland) was extremely pleased with how it turned out.</p>
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<p class="font_8">A: It was your first show walking right?</p>
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<p class="font_8">L: That was my first real runway show.</p>
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<p class="font_8">A: Because in Geek Girl, that is what your character does as a job.</p>
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<p class="font_8">L: In [Geek Girl], [his character, Nick] is a professional model. That was part of the reason behind me doing this, for research purposes. But also, I was so scared, I thought, “I have to do this.” But it was so much fun. I would definitely do it again.</p>
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<p class="font_8">A: What do you do for nerves? Do you have any rituals that help?</p>
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<p class="font_8">L: I try to tell myself that it is just excitement. I will get jittery or either talkative or really quiet. It’s hard to predict, I am still trying to figure that out, too!</p>
<p class="font_8">But this one was a bit easy. It sounds cheesy and corny, but I just thought about what I thought about when I was doing it in [Geek Girl], character-wise, and I could go back into that mindset. That helped a little bit, but I was still so nervous.</p>
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<p class="font_8">A: I can imagine I would have been absolutely bricking it.</p>
<p class="font_8">Obviously, through the acting side of it, you know how to adapt to a role. My dad has always brought us up with a “fake it till you make it” essence.</p>
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<p class="font_8">L: That is my favourite quote.</p>
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<p class="font_8">A: Do not let anyone else know on the outside that you are bricking it. Just pretend you know what you are doing, and it will hopefully get you somewhere.</p>
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<p class="font_8">L: Fake it till you make it. That is what I was doing.</p>
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<p class="font_8">A: This is what I do every day. Having been on Geek Girl, obviously, it went onto Netflix. Netflix is a big deal because it is worldwide and has an incredible reach.</p>
<p class="font_8">With this being your first major role, what were the nerves like? Going into it and knowing it is going on such a big platform, where did that leave you in terms of how you feel about it and what to expect?</p>
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<p class="font_8">L: Obviously, signing on to [Geek Girl] and going through the audition process, you know it has the potential to be something. It is going onto Netflix and has some great names attached, but I just tried to not think ahead and just show up on set and do the work every single day. But there is part of you that gets excited and anxious, that thinks, "What is going to happen when this comes out?". And you have friends and family asking, "What's going on?" It was nerve-wracking. It was exciting, but I have a good family and friends around me that keep me grounded and humble. I just tried to do the work every single day, and then whatever happened, happened.</p>
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<p class="font_8">A: Do you get noticed? Because I love to wear tracksuit bottoms to the local shop where no one knows me or cares how I look.</p>
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<p class="font_8">L: I will get noticed. Not too often, but a couple of times out in public. But I try not to change my everyday lifestyle that much. If someone stops and asks for a picture, it is a compliment, and I will just take the photo. I try not to put extra effort into my outfits before going out. I just stay the same.</p>

Liam Woodrum

<p class="font_8">"Fundamentally, I do not know what I'm signing up for" is something you don't expect an actor to say about a project (unless it's a very, very strict Marvel movie, where everything is under a huge lock and key). But Skins alumni Joe Dempsie (and a massive rota of actors including Daisy Edgar-Jones and Michael Sheen) will soon find themselves on stage alone each night, with no rehearsal or director in the experimental show: White Rabbit, Red Rabbit. "I don't want to speak for everyone else that's signed up for it,"-those also signed up for the same role as Joe on different nights include Paloma Faith and Miriam Margolyes- "but I would wager that for a number of them, including me, there's something about that desire to take yourself out of your comfort zone that keeps you alive."</p>
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<p class="font_8">Joe and others will perform at @sohoplace, with 600 people watching each night. At every performance, a different actor will be on stage. They receive a script they will perform live on the spot, without rehearsal. He feels less nervous about perfecting it as the audience likes to see mistakes, something he learned from his time as a live TV channel continuity announcer.</p>
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<p class="font_8">The 37-year-old has taken himself out of his comfort zone before, noting when he starred in a movie-musical where he had to learn how to sing and prides himself on being adventurous in his acting work, which is displayed during his current roster of projects and previous work including Game of Thrones and Skins. Dempsie talks to HATC in London with two TV series’, Get Millie Black (Channel 4) and Showtrial (BBC), set to be released shortly, and just before jetting off to the Toronto Film Festival to debut Addition, a rom-com about mathematician Grace (Teresa Palmer) who meets Seamus (played by Dempsie) in a supermarket. As they start dating, Grace must figure out her recent OCD diagnosis with herself and with Seamus. On playing the role of someone learning about a partner's mental health condition in a very new relationship, Joe notes, "[Seamus] is not some faultless guy who has all his shit together and he's in a relationship with someone, who he discovers has OCD. How does he help her navigate that? I think we tried to play it in the film, in the context of their relationship, where OCD can become a little bit like an addiction. In the early stages of the relationship, or maybe any stage of a relationship, you hear about people who are suffering from an addiction, going to great lengths to hide that from their nearest and dearest. I think you've got this perfect storm of the early days of a new relationship where all you know is that you really like each other, but you are still trying to put your best foot forward. You're both performing to a certain extent, trying to present the best possible image of yourself for that other person."</p>
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<p class="font_8">From taking on the film, the actor hopes it not only authentically portrays OCD with sensitivity and dignity whilst having those with the disorder being able to see themselves on screen, but also that many can see the character Grace's behaviour and see the signs that began her diagnosis with the condition. Talking about the diagnosis of mental health conditions becoming more common later in life, "You hear about far more people getting diagnosed with things like autism or ADHD in adult life" and the factor of masking playing a role in it: "You hear about masking, particularly in girls with autism, because all the research has been done on men, and that manifests itself totally differently. You hear about masking and how utterly draining it is, but you almost don't realise, if you're not even conscious that you're doing it, you can't acknowledge what it takes out of you and what it requires of you."</p>
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<p class="font_8">Dempsie hopes that Addition (which he will watch for the first time when it premieres at TIFF) will be a frustrating watch for viewers "where two people that really like each other start pushing each other away and eventually, it gets to the point where there is no concealing anymore and it all hits rock bottom for her.” Exploring this element of the story was fascinating for the actor. "Ultimately, to what extent does a condition like OCD have to define you? It's not even a how-to. It's Grace's story; how this character picks her way through that, picks herself up and finds a sense of peace, if not without it, then with it."</p>
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<p class="font_8">Taking on roles like these, Joe feels immense pressure in various ways in every role. He felt it when filming Addition but also with his new upcoming Netflix series Toxic Town (starring Jodie Whittaker and Aimie Lou Wood), where he felt it in a new, unfamiliar environment, as an actor portraying a true story about the 2010 Corby Toxic waste scandal. "I felt a huge responsibility to do that character arc justice and to make that decision [his character] made, head versus heart. It was important for me to get that right, so I put a lot of pressure on myself while filming it. As we move into the postproduction phase, I've taken a keener interest than I have maybe before with how it's all coming together and how it's being presented" he expresses.</p>

Joe Dempsie

<p class="font_8">Corinna Brown has captured hearts worldwide with her witty and honest portrayal of Tara Jones. As she soaks up the final whirlwind moments before Heartstopper's (Season Three), she can't believe it's less than a week until the first episode airs.</p>
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<p class="font_8">"I always get nervous the week before it's out, in fact, up to the week after it's been released", she explains. I do not doubt that the build-up has a sense of intensity that, even after three seasons, can feel overwhelming, something Corinna tells me she won't read into in the initial few weeks of its release. For me, Heartstopper has ushered in a new wave of television, where both heartwarming and heart-wrenching teenage themes have a space to enjoy and educate those of all generations. From topics of identity and consent, it's never been one to shy away from difficult conversations, with the series holding power in its hands, similar to its Netflix predecessors like Sex Education. "I feel like Heartstopper doesn't shy away from the fact that you will have these questions and thoughts no matter what age you are. It beautifully teaches everyone how to deal and cope with that.” When it comes to identity, let's be honest: our teenage years are no walk in the park, from questions on sex to figuring out who we are, something Heartstopper nurtures and encourages. But the programme elevates the importance of representation, it's a programme where you don't need permission to figure out or question who you are. "I'm 25, and I'm still discovering who I am. I think Heartstopper says it's okay to feel this way while encouraging us to keep questioning that."</p>
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<p class="font_8">As we draw towards Season 3, I'm curious about Corinna's expectations when arriving on set for the first day of filming. "I don't think I had any expectations. I remember being very naive at the beginning. I didn't think we'd get another season. I thought we'd just shot this fun, beautiful show; it was the best four months of my life. So, when we got confirmed for Season Two, I was like ‘What? Woah.’ I feel like it succeeded in every expectation I had and continues to do so. I didn't think I'd meet so many amazing people who are now my best friends, and I see everyone quite often."</p>
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<p class="font_8">In the way of criticism, as all programmes receive, anything that comes up is attached to parental fears, which often stem from a lack of education and ignorance. I could have only wished to have Heartstopper during pre- and adolescence. However, when it comes to Season Three, not only have viewers matured alongside the show's characters, but a whole new host of viewers will be invited to watch. "I think this season we are going to reach new audiences as well, because we are getting more mature. If Heartstopper gets any criticism I think that's where people base it. They're like, 'Oh, it's a kid's show.’ It is, but we're getting into the nooks and crannies of it all. It's such an inclusive show, and it covers a range of people going through different life situations. Because it connects with so many people, it's hard not to feel like it's part of you; it's our little family. We've been able to do pop-up tours around the UK, and we got to meet everyone and chat with people, seeing how it's affected and helped them. You learn everyone is also going through it at that age. It's a beautiful community to be a part of.”</p>

Corinna Brown

<p class="font_8">Zain Iqbal didn't think he had landed the lead role of Ravi Singh in <em>A Good Girl's Guide to Murder</em>. He put himself forward for the auditions for the part of Ravi after his agent received an email for the TV adaptation of the book. Then the actor went through a number of auditions, including two chemistry reads with<em> Wednesday</em> star Emma Myers, who plays the leading lady Pip in <em>AGGTM</em>. After the virtual chemistry read on Zoom, He couldn't tell the casting teams' response. He believed his chances of getting the role were slim. "[We did] three scenes, but two were off camera. " However, that all changed when the two actors and the team met in person for the final audition. "For some reason, it just clicked. And we got on very well. And [Emma] is a very good actor. So yeah, [Their characters, Ravi and Pip] just clicked for some reason. I don't know why."</p>
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<p class="font_8">The young actor hadn't read the best-selling book the TV series is based on before getting the job, oblivious to its popularity. Holly Jackson's <em>A Good Girls Guide to Murder</em> is the huge first book in the trilogy, award-winning with hundreds of thousands of copies sold in the UK alone. "I felt like I'd be investing too much and I’d over think. I read the book after I got the job before the table read. As soon as I got the job confirmed, I bought and read the book." he says. One massive influence in book popularity these days is <em>TikTok</em>, particularly a community born on the platform called 'BookTok', where the book has taken readers by storm. Before reading the book, he googled it. "And I was like, Oh, shit, it's big." His reaction was surprising, to say the least, especially as he didn't use TikTok at the time and now only has <em>TikTok</em> under a "burner" account. "This is huge, and people care about [the book].".</p>
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<p class="font_8">Ravi in <em>AGGTM</em> is the brother of Sal, who everyone in the small town of Little Kilton believes murdered Andie Bell five years ago. Ravi's romantic interest, Pip Fitz-Amobi, decides to investigate the murder case for her school project. Pip and Ravi's relationship blossoms as the two try to uncover the truth about who murdered Andie. Something that drew him to doing the show was the character being rare to be on offer for someone like him he tells me. "People who are romantic leads, I don't know if I can say this, but the white kids are usually seen as those sorts of actors. But It was a big one. Soon as I saw it, I was after it. I guess a lot of other actors were as well." His character, Ravi Singh, has been named one of the best boyfriends in book history, called "ravishing", hence the pressure to cast the two right. "Ravi's main source of contact in the series is Pip. Rarely does he go out and speak to other characters. He's like an outsider. I think it was just [the chemistry] was the main thing in the casting process; they just wanted to see if Emma and I had that chemistry. " Landing his first acting job with a character like Ravi was huge for him. "Why do we watch films or TV series? To relate to their stories or connect to people's stories and characters and find something they can relate to. I guess. For me, it's a big reason why I do it."</p>
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<p class="font_8">Even with the intensity from fans of filming such a highly anticipated TV series AND it being his first acting role, Zain didn't feel the pressures. Throughout the auditions, he took a relaxed approach. "That's probably a good thing because I would have scared myself off and put too much pressure on it. When I do put pressure on myself, shit goes wrong. I just took it easy, and they kept calling me back. I eventually got it. Because I was a newcomer, I guess they wanted to see more or make sure I could do it." He explains, "But I'm happy with that. I don't mind the process of auditioning. I'd rather audition than just be given it. I find comfort in having done so many auditions and then them giving it to me."</p>

Zain Iqbal

<p class="font_8">Things are heating up in the highly anticipated season two of HBO's <em>House of the Dragon</em> and for the young actor, 20-year-old Harry Collet, who plays Jacaerys Targaryen in the show. After several scrapped spin-offs to one of the biggest shows of all time, <em>Game of Thrones</em>, HBO finally landed on <em>House of the Dragon</em>, a prequel about the Targaryen's battle in the succession of the throne- plus some dragons. It proved a massive success, with over 4 million UK viewers tuning in for the launch of season one alone, placing it amongst the show giants of <em>Stranger Things</em> and <em>The Boys</em>. Season two sees Rhaenyra Targaryen's eldest son, Jacaerys Targaryen, played by Harry Collett, taking a much bigger focus in the war brewing as he goes to Winterfell, one of the most iconic locations for <em>GoT</em> fans, to find support for his mother's claim to the throne in the fight against her stepbrother, now King, Aegon II Targaryen and his mother, her ex-best friend Alicent Hightower. A battle between the family that has captivated audiences and, <em>finally</em>, their two-year-long pleads for the next instalment is over, with season two dropping weekly over the summer.</p>
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<p class="font_8">Harry has had a taste of admiration from fans for the show. We sit down after the cast and himself have just completed their whirlwind press tour for the show in Paris, New York and London- in addition to his cover shoot that he just spent the morning in snakeskin and rhinestone looks, all fit for a prince. I ask how this tour has been for him. "Amazing. I mean, to do the show anyway, feels like a dream come true." Harry continues, "It's quite nerve-racking because now's the time to really know yourself and the show rather than being stuck in a studio, playing a prince, which, don't get me wrong, is great! It's been great seeing what kind of impact this show has on people around the world." He calls the experience "crazy in the best way possible. It's just mental," and expresses appreciation for overwhelming support he's received from the fans and the writers.</p>
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<p class="font_8"><em>GoT </em>is known for having such a dedicated fanbase, and <em>HotD's matched it almost instantly. </em>With season two, it's only gotten more prominent for the cast and Harry himself, as people online hyperfixate on the TV shows that are currently airing, making memes, fan edits, and sometimes finding their 'actor of the month'. Since season one was released, Harry says the craziest thing he's experienced so far is people asking him on the street about his hair for season two and people wearing T-shirts with his face on. "For me, that's a bit like, I'm just a kid from Essex and people wearing my face on their body…I mean, it's flattering."</p>
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<p class="font_8">Before the unofficial Harry Collett merch, at six years old, his acting journey began. He didn't have the best time at primary school, so instead, he focused on things he enjoyed, like street dance. He would finish his school day and go to the studio owned by British dance group Diversity to practice his moves. Whilst performing in a show with the studio at a shopping centre in Essex, an agent in the crowd approached his parents after spotting Harry. Asking his mum and dad if he'd be interested in acting, they weren't so sure if Harry would want to, but as an audition came in, "mum and dad said, might as well go see if you like it."</p>
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<p class="font_8">That audition was for <em>Billy Elliot the Musical</em>. "Before I did it, I went to walk out because I wasn't feeling it." His dad told him to just try it and then "they called my name just when I was about to walk out the door<del>.</del>". That audition bagged him the role on stage in London's West End, starting his professional acting career. He remembers his time in <em>Billy Elliot</em> being fun: "I basically came on for like, two minutes each night, I'd come on right at the start and then come up at the end, say a couple of swear words. At six years old, I loved it".  Collett went on to star in a couple more theatre shows: <em>Matilda the Musical</em> and <em>Elf</em>. However, being a child actor came with compromises: "I missed out on a lot of childhood friends, parties and things like that because you're dedicating pretty much your life to it". On the topic of him returning to theatre, it's about <em>when</em> and not if. "Not right now. I think I want to focus on film and TV now. I would love to do a play. I've never done one before. But theatre, I would leave that for later".</p>
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<p class="font_8">Chatting a few days before season two's release, Harry reflects on his time as Jace Targaryen so far. I was curious about the most challenging part of filming this epic show. Harry says it's speaking like a prince: "I had lines last season, but I have much more screentime this season. I have amazing dialect coaches. I'm from Essex, so it's about pronouncing your H's and your T's, but I got used to it quite quickly, obviously, with all the help. And also, sometimes the long hours can be a bit draining, but you can't complain about that with my job because so many people wish they could do it and you're so lucky and it's just fun, isn't it? I ride dragons!"</p>
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<p class="font_8">Jace is sporting a new look this season. To confirm for those asking, Jace's hair is Harry's real curls. In the break between season one and filming for season two, per request by the show, he grew his hair really long, "I looked like I was old school [2015] Harry Styles vibe with the hair". However, when the team got together at the beginning of season two, his Harry Styles dreams were crushed: "I got there, and they were like, 'We've got a mood board to go by'. It was like just pictures of Jon Snow and Rob Stark and all that which was really cool". Then they cut his hair accordingly. "And snip snip. Bosh. Here we are, new Jace has arrived."</p>
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<p class="font_8">"The new costumes, sets and hair made me transform as Jace. In season two, we see him going from a boy to a man, and the change has helped me change Jace in a way that suits people."</p>
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<p class="font_8">As the war between Team Black and Team Green intensifies, some characters, including Jace, set off around Westeros this season. The cast filmed their scenes separately, with Harry rarely seeing those on the opposing team like Olivia Cooke, Ewan Mitchell and Tom Glynn-Carney unless it was outside of filming.</p>
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<p class="font_8">However much the production schedules and marketing promote the fierce rivalry between Team Black and Team Green, Harry reassures that the cast gets along well like a big family. "It's really refreshing to have a massive ensemble cast that all love each other, and we all really get on."</p>

Harry Collett

<p class="font_8">Bridgerton's newest season has actress Jessica Madsen wearing even bigger sleeves as Cressida Cowper. The show's third season saw Cressida, known for being the villain amongst viewers and gossip stirrer in the ton, portraying a delicate side when she's torn between what she actually desires and her parents forcing her to marry. Jessica Madsen opens up about how taking on this massive arc for Cressida this season has affected her life, from her recent coming out post, to her fellow cast members giving her advice in navigating the Bridgerton spotlight and how her creativity, including her love for painting, is crucial to her mental health.</p>
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<p class="font_8">M: What have you noticed about Bridgerton's Season 3 doing well and being in the spotlight? How has that affected you and your mental health?</p>
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<p class="font_8">J: It's such an amazing job to be a part of. I feel very, very fortunate, and very lucky. And the season was cool for Cressida, so that was super exciting. I mean, it's one of those things. It's not something you can ever really expect to happen. You only know what it's like once it happens. At the moment, the guy at my local coffee shop is super nice to me, which is nice, so that's my primary win. But how I am in my life is very different from how I am as the character I play, so I go pretty unrecognisable. It's lovely to see how many people appreciate and enjoy the show. things have been cool so far, and the response has been lovely. There's been a lot of positivity that's come my way.</p>
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<p class="font_8">M: I've watched interviews with you all and loved the blossoming friendships. Being in the creative industry—any creative industry—can sometimes be lonely. Do you feel like having those connections, whether the cast of Bridgerton or other connections or other friends in the creative industries, is a significant and integral part of your life?</p>
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<p class="font_8">J: Hugely. So, in this case, everyone is especially incredibly supportive and is like everyone's cheerleader in such a fantastic way. If there's ever something I don't understand or know because it's my first time going into the press, I'll message one of them and ask, Guys, what do I do? All these elements fit into the work; it's lovely to feel like you're in a safe space, right? And even though it's such a big show in terms of the audience and the viewers, it's a very homey set. We're all just in Uggs and robes. I have a lot of actor friends I feel safe with them and able to deep think with them. I’v never been very good at surface level chat and I feel other creatives understand that. There are a lot of tough times in this industry, and things are complex. An actor understands another actor's world. And other creative as well cause those in a different creative field how they feel and think feeds your mind.</p>
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<p class="font_8">M: As you mentioned, the audience for Bridgerton is so big. It's so big because it's a great escapism for many people. You sit down, you binge TV, and that's a form of rest for many people because we don't get other forms of rest or know how to find that rest. So, how do you feel about it being used that way? I assume it's positive, but is it strange to be a part of people's daily comedown and that escapism?</p>
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<p class="font_8">J: I love thinking that that's what we bring to people's lives. I rely so heavily on it in my own life, with what I watch. And, a tool, a two-way tool. It's like, you've got the tool of it being educational, stretching your thinking. Allowing And then it's also a way of feeling at peace feeling comfort. That's what Bridgerton brings: we're safe in the fact that we know that they will end up together. We do have to remind ourselves that things will be okay, even if there are bumpy roads. I'm proud it's a place to completely and utterly get carried away in the world's magic.</p>

Jessica Madsen

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